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In 1986 Toussaint returned to Mexico, where his major activity to
date has been composing concert music.
ln 1989 the México City Musician's Union conferred upon him their major
award, the Golden Lire, for musical accomplishment.
From 1990 to 1991 he studied piano technique with Leopoldo Gonzalez. He
also wrote seventeen symphonic arrangements of Méxican popular music for a
series of records called "Mexico de mis Amores".
In 1990 the piece "Hijo de la Ciudad" (Son of the City) for jazz
orchestra and piano, commissioned by New York's Latin Festival in Mexico
City was premièred .
The symphonic pieces "Popol - Vuh" and "Concerto for Violoncello
and Orchestra" were premièred In 1991. Popol - Vuh was also
performed by the National Symphony Orchestra of Belgium in 1993, during
the Europalia festivities dedicated to Mexico and its culture.
1992 saw the première of "Dances of the City " (commissioned
by the Eight Annual Mexico City Music Festival) and "Gauguin"
(concerto for Harp and English Horn).
In 1993 "Science Suite" (commissioned by Mexico's National
University for the opening of the "Universum" Science Museum) was
premièred . This work was also performed in Mexico during the same
year, by the National Symphony Orchestra, National University Philharmonic
Orchestra, Aguascalientes Orchestra and the Carlos Chavez Youth Orchestra
. The Cello Concerto was also performed by the National University
Philharmonic Orchestra.
The album "Paisajes", an electro-acoustical project, involving
ethnic and pre-Hispanic percussion, along with ethno-musicologist
percussionist Antonio Zepeda was released.
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